{"id":5626,"date":"2025-03-19T11:33:34","date_gmt":"2025-03-19T14:33:34","guid":{"rendered":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/?post_type=product&#038;p=5626"},"modified":"2025-03-26T13:02:37","modified_gmt":"2025-03-26T16:02:37","slug":"theory-major-scale-2-f-clef-according-to-barry-harris-free-version","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/product\/theory-major-scale-2-f-clef-according-to-barry-harris-free-version\/","title":{"rendered":"THEORY \/ Major Scale 2 (F Clef) according to Barry Harris FREE VERSION"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong>If you wish you can purchase <\/strong><strong>the Complete Book by <\/strong><span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/theory-major-scale-2-f-clef-according-to-barry-harris\/\"><strong>CLICKING HERE<\/strong><\/a><\/span><\/h3>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Practical and dynamic work methodology for the <\/strong><strong>self-taught student as well as for the teacher in class<\/strong><\/p>\n<hr \/>\n<p><strong>CONTENTS<\/strong><\/p>\n<p>You are downloading the <strong><span style=\"color: #ff0000;\">FREE VERSION<\/span> (PDF of 27 pages \u2013 6 MB)<\/strong> which <strong><span style=\"color: #ff0000;\">DOES NOT CONTAIN<\/span><\/strong>:<\/p>\n<p><strong><span style=\"color: #ff0000;\">* 9 Lessons remaining<\/span><\/strong> (<em>Theory of concepts to practice)<\/em><\/p>\n<p><span style=\"color: #ff0000;\"><strong>* 16 Exercises<\/strong>\u00a0<\/span><em>(Methodology, tempos, repetition bars, Audios of each exercise)<\/em><\/p>\n<p><strong><span style=\"color: #ff0000;\">* 83 Phrases\/ Melodic Lines<\/span><\/strong> <em>(Gradual application of the concepts on a II V I with its corresponding written and audio analysis)<\/em><\/p>\n<p><strong><span style=\"color: #ff0000;\">* 158 Audios<\/span><\/strong> <em>(Essential for the complete study of each of the exercises)<\/em><\/p>\n<p><strong><span style=\"color: #ff0000;\">* 2 Backing Tracks<\/span><\/strong> <em>(Backing Tracks of more than 3 minutes to strengthen knowledge)<\/em><\/p>\n<hr \/>\n<p><strong>OBJECTIVES<\/strong><\/p>\n<p>When playing descending a Major Scale <strong>the notes of the chord<\/strong> are on the <strong>&#8220;and&#8221; (off beat)<\/strong> instead of falling to <strong>&#8220;ground&#8221;. (on beat)<br \/>\n<\/strong><br \/>\nWith the purpose of <strong>playing rhythmically correct<\/strong>, Barry Harris presents us with the concept: <strong>Half Step Rule <\/strong>by means of which we will be able to play the <strong>notes of the chord to &#8220;ground&#8221; (on beat).<\/strong><\/p>\n<p>These rules are divided into:<\/p>\n<p><strong>Odd Group: <\/strong>When we start from the tonic (1) of the 3rd, 5th or 7th.<\/p>\n<p><strong>Even Group: <\/strong>When we start from the 2nd, the 4th or the 6th.<\/p>\n<p>Each group <strong>contains two<\/strong> rules which we will develop in this book.<\/p>\n<p><strong>Chromatism&#8230;? How to use chromaticisms with non-scale notes?<\/strong><\/p>\n<p><strong>About Phrases or Melodic Lines<\/strong><\/p>\n<p>All and each one of the phrases I&#8217;ve written have as an objective to incorporate in a progressive manner each of the learned concepts.<\/p>\n<p>For this reason, each of them has included the <strong>written analysis<\/strong> of each previously learned element with the intention of having a method when you have to write your own phrases or melodic lines.<\/p>\n<hr \/>\n<p><strong>158 Audios<\/strong><\/p>\n<p><strong>158 essential audios<\/strong> are included for the complete study of this book<\/p>\n<hr \/>\n<p>For more information please contact the author:<span style=\"color: #3366ff;\">\u00a0<a style=\"color: #3366ff;\" href=\"mailto:nestor.crespo@usa.net\">nestor.crespo@usa.net<\/a><\/span><\/p>\n<hr \/>\n<h2><strong>Related Books<\/strong><\/h2>\n<p><a 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