{"id":295,"date":"2019-01-30T01:57:44","date_gmt":"2019-01-30T04:57:44","guid":{"rendered":"http:\/\/serie20y20.com.ar\/tienda\/?post_type=product&p=295"},"modified":"2026-03-30T10:21:44","modified_gmt":"2026-03-30T13:21:44","slug":"guitar-diatonic-mayor-scale","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/product\/guitar-diatonic-mayor-scale\/","title":{"rendered":"GUITAR \/ Diatonic Major Scale (Routine Practice & Exercises of Improvisation)"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student
\nas well as for the teacher in class<\/strong><\/p>\n

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Complete development of Exercise 1<\/strong> of the book: Scales and Arpeggios. <\/strong>(Author: Nestor Crespo)<\/em><\/p>\n

You are buying\u00a0(PDF 35 pages + 60,9 MB) <\/strong>which contains:<\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

The purpose of this book is the intensive study of the Major Scale<\/strong> also called Ionian Scale<\/strong>, which is of significant importance in our journey with music.<\/strong><\/p>\n

Normally we focus<\/strong> on the study of this or any scale by memorizing<\/strong> only the different shapes up and down<\/strong>, but this way of studying is insufficient when we want to improvise or appreciate the color or texture it produces.<\/p>\n

That is why we are going to devote ourselves to develop the study of the 5 shapes<\/strong> through exercises in a practical and dynamic way including the corresponding fingerings and bar repetition<\/strong> in each case.<\/p>\n

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METHODOLOGY<\/strong><\/p>\n

Includes 24 exercises<\/strong> with full fingering, repetition bars and practice tracks<\/p>\n

\u00a0 \u00a0 \u00a0* Diatonic Order – Up and Down<\/strong> ( a – b )<\/em>\u00a0<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0* Patterns 1 y 2<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0* Thirds<\/strong> ( a – b – c – d )<\/em><\/p>\n

\u00a0 \u00a0 \u00a0* Fourths<\/strong> ( a – b – c – d )<\/em><\/p>\n

\u00a0 \u00a0 \u00a0* Sixths<\/strong> ( a – b – c – d )<\/em><\/p>\n

\u00a0 \u00a0 \u00a0* <\/strong><\/em>Triads<\/strong> ( a – b – c – d )<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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BACKING TRACKS<\/strong><\/p>\n

It also includes 10 Backing Tracks<\/strong> corresponding to the exercise in a modal playing<\/strong> as well as, different progressions<\/strong> which will be very useful to practice and affirm this concept.<\/strong><\/p>\n

\u00a0 \u00a0* 6 Modal backing tracks in Cmaj7 & Gmaj7<\/strong> (with strings and different musical styles)<\/em><\/p>\n

\u00a0 \u00a0* 2\u00a0 Modal Backing Tracks<\/strong> (with chord progressions)<\/em><\/p>\n

\u00a0 * 2 Backing Tracks<\/strong> with Cycle of 5th\u00a0<\/strong>\u00a0(in different musical styles)<\/em><\/p>\n

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For more information please contact to the author:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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