{"id":5888,"date":"2025-08-22T14:37:07","date_gmt":"2025-08-22T17:37:07","guid":{"rendered":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=5888"},"modified":"2026-04-30T12:52:25","modified_gmt":"2026-04-30T15:52:25","slug":"theory-dominant-scale-2-f-clef-according-to-barry-harris","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/theory-dominant-scale-2-f-clef-according-to-barry-harris\/","title":{"rendered":"THEORY \/ Dominant Scale 2 – F Clef – according to Barry Harris"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student as well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

You are buying (PDF of 65 pages \u2013 129 MB<\/strong>) which contains:<\/p>\n

10 Lessons<\/strong> (Theory \/ Half step Rules)<\/em><\/p>\n

39 Exercises<\/strong> (Methodology, tempos, repetition bars, Audios of each exercise)<\/em><\/p>\n

83 Phrases \/ Melodic lines<\/strong> (Gradual application of the concepts on a II V I with its corresponding written and audio analysis)<\/em><\/p>\n

158 Audios<\/strong> (Essential for the complete study of each of the exercises)<\/em><\/p>\n

2 Backing Tracks<\/strong> (Clues of more than 3 minutes to strengthen knowledge)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

When playing descending a Major Scale the notes of the chord<\/strong> are on the “and” (off beat)<\/strong> instead of falling to “ground”. (on beat)<\/strong><\/p>\n

With the purpose of playing rhythmically<\/strong> correct, Barry Harris presents us with the concept: Half Step Rule<\/strong> by means of which we will be able to play the notes of the chord to “ground” (on beat).<\/strong><\/p>\n

These rules are divided into:<\/p>\n

Odd Group:<\/strong> When we start from the tonic (1) of the 3rd, 5th or 7th.<\/p>\n

Even Group:<\/strong> When we start from the 2nd, the 4th or the 6th.<\/p>\n

Each group contains two rules which we will develop in this book.<\/p>\n

About Phrases or Melodic Lines<\/strong><\/p>\n

All and each one of the phrases I’ve written has as an objective to incorporate in a progressive manner each of the learned concepts.<\/p>\n

For this reason, each of them has included the written analysis<\/strong> of each previously learned element with the intention of having a method when you have to write your own phrases or melodic lines.<\/p>\n

158 Audios<\/strong><\/p>\n

158 essential audios<\/strong> are included for the complete study of this book<\/p>\n

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For more information, email the author at:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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