{"id":5877,"date":"2025-08-22T14:30:39","date_gmt":"2025-08-22T17:30:39","guid":{"rendered":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=5877"},"modified":"2026-03-30T10:14:23","modified_gmt":"2026-03-30T13:14:23","slug":"theory-dominant-scale-1-according-to-barry-harris-f-clef","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/theory-dominant-scale-1-according-to-barry-harris-f-clef\/","title":{"rendered":"THEORY \/ Dominant Scale 1 according to Barry Harris \u2013 F Clef"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student as well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

You are buying (PDF of 31 pages \u2013 121 MB<\/strong>) which contains:<\/p>\n

10 Lessons<\/strong> (Theory of concepts to practice)<\/em><\/p>\n

21 Exercises<\/strong> (Methodology, tempos, repetition bars, Audios of each exercise)<\/em><\/p>\n

55 Phrases \/ Melodic lines<\/strong> (Gradual application of the concepts on a II V I with its corresponding written and audio analysis)<\/em><\/p>\n

52 Audios<\/strong> (Essential for the complete study of each of the exercises)<\/em><\/p>\n

2 Backing Tracks<\/strong> (Clues of more than 3 minutes to strengthen knowledge)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

Chromatism…? How to use chromaticisms with non-scale notes?<\/strong><\/p>\n

This is the central axis of this book, which is based on how to use non-scale notes<\/strong> in an organized manner and with a practical and dynamic methodology.<\/p>\n

Barry Harris proposes 4 concepts<\/strong> with the objective of embellishing out melodic phrases, those being.<\/p>\n

1. Chromatic Approximation.<\/strong>
\n2. Chromatisms<\/strong>
\n3. Pivot Note.<\/strong>
\n4. Target Note.<\/strong><\/p>\n

All exercises<\/strong> and melodic phrases<\/strong> are developing over Bb major scale<\/strong>, ascending or descending.<\/p>\n

Even if the exercises are shown inside one octave only<\/strong>, you could extend them two or three octave<\/strong> longer depending on your instrument.<\/p>\n

About Phrases or Melodic Lines<\/strong><\/p>\n

All and each one of the phrases I’ve written has as an objective to incorporate in a progressive manner each of the learned concepts.<\/p>\n

For this reason, each of them has included the written analysis<\/strong> of each previously learned element with the intention of having a method when you have to write your own phrases or melodic lines.<\/p>\n

78 Audios<\/strong><\/p>\n

78 essential audios<\/strong> are included for the complete study of this book<\/p>\n

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For more information, email the author at:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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