{"id":5006,"date":"2024-03-25T09:38:19","date_gmt":"2024-03-25T12:38:19","guid":{"rendered":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=5006"},"modified":"2024-12-12T12:44:17","modified_gmt":"2024-12-12T15:44:17","slug":"theory-the-harmonic-method-of-barry-harris-volume-1-free-version","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/theory-the-harmonic-method-of-barry-harris-volume-1-free-version\/","title":{"rendered":"THEORY \/ THE HARMONIC METHOD OF BARRY HARRIS \u2013 Volume 1 FREE VERSION"},"content":{"rendered":"

If you wish you can purchase <\/strong>the Complete Book by <\/strong>CLICKING HERE<\/strong><\/a><\/span><\/h3>\n
\n

Practical and dynamic work methodology for the <\/strong>
\nself-taught student as well as for the teacher in class<\/strong><\/p>\n

\n

CONTENTS<\/strong><\/p>\n

You downloaded the FREE VERSION<\/span>\u00a0(30 pages PDF \u2013 16 MB)\u00a0which DOES NOT contain<\/span>:<\/p>\n

*\u00a0\u00a038 Lessons\u00a0 (Explaining Barry Harris’ Harmonic Method)<\/span><\/p>\n

*\u00a0\u00a046 Exercises\u00a0\u00a0(Methodology, tempos, repeat bars, audios for each exercise)<\/span><\/p>\n

*\u00a0\u00a015 Work Assignments\u00a0 \u00a0(Applying concepts over songs)<\/span><\/p>\n

*\u00a0\u00a0Practice Routine\u00a0\u00a0(For piano and guitar players)<\/span><\/p>\n

*\u00a0 209 Audios.\u00a0(Essential complement to your practice)<\/span><\/p>\n

*\u00a0 Printable Ebook\u00a0\u00a0(Without Watermark)<\/span><\/p>\n

\n

OBJECTIVES<\/strong><\/p>\n

\u201cMusic is movement, not chord progressions\u201d<\/strong>. This Barry Harris’ quote will guide us through this book.<\/p>\n

In my humble opinion, I think that Barry Harris has a UNIQUE PERSPECTIVE ON MUSICAL THEORY, ONE THAT WHICH IS NOT COMMONLY FOUND ON MUSIC SCHOOLS.
\n<\/strong>
\nOn this first volume you’ll find the development, explanation, harmonization and how to apply the four scales<\/strong> to which Barry Harris refers to.<\/p>\n

* Major 6th Diminished Scale<\/strong><\/p>\n

* Minor 6th Diminished Scale<\/strong><\/p>\n

* Dominant 6th Diminished Scale<\/strong><\/p>\n

* Dominant 6th b5 Diminished Scale
\n<\/strong>
\nWe are also going to study how to overlay these scales to get different sounds and textures.<\/p>\n

Our objective is to start this study from its origin, explaining the fundamentals, where does it come from, how to develop it and apply it<\/strong>, so in this way you’ll have every element necessary to explore it.<\/p>\n

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For more information please contact the author:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

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