{"id":4990,"date":"2024-03-25T09:20:47","date_gmt":"2024-03-25T12:20:47","guid":{"rendered":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=4990"},"modified":"2026-04-30T12:50:35","modified_gmt":"2026-04-30T15:50:35","slug":"theory-the-harmonic-method-of-barry-harris-volume-1","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/theory-the-harmonic-method-of-barry-harris-volume-1\/","title":{"rendered":"THEORY \/ THE HARMONIC METHOD OF BARRY HARRIS \u2013 Volume 1"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student as well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

With your purchase (111 Pages PDF \u2013 105 MB<\/strong>)\u00a0you also get:<\/p>\n

*\u00a0 38 Lessons<\/strong>\u00a0 (Explaining Barry Harris’ Harmonic Method)<\/p>\n

*\u00a0 46 Exercises<\/strong>\u00a0\u00a0(Methodology, tempos, repeat bars, audios for each exercise)<\/p>\n

*\u00a0\u00a015 Work Assignments<\/strong>\u00a0 \u00a0(Applying concepts over songs)<\/p>\n

*\u00a0\u00a0Practice Routine<\/strong>\u00a0\u00a0(For piano and guitar players)<\/p>\n

*\u00a0 209 Audios<\/strong>.\u00a0(Essential complement to your practice)<\/p>\n

*\u00a0 Printable Ebook<\/strong>\u00a0\u00a0(Without Watermark)<\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

\u201cMusic is movement, not chord progressions\u201d<\/strong>. This Barry Harris’ quote will guide us through this book.<\/p>\n

In my humble opinion, I think that Barry Harris has a UNIQUE PERSPECTIVE ON MUSICAL THEORY, ONE THAT WHICH IS NOT COMMONLY FOUND ON MUSIC SCHOOLS.
\n<\/strong>
\nOn this first volume you’ll find the development, explanation, harmonization and how to apply the four scales<\/strong> to which Barry Harris refers to.<\/p>\n

* Major 6th Diminished Scale<\/strong><\/p>\n

* Minor 6th Diminished Scale<\/strong><\/p>\n

* Dominant 6th Diminished Scale<\/strong><\/p>\n

* Dominant 6th b5 Diminished Scale
\n<\/strong>
\nWe are also going to study how to overlay these scales to get different sounds and textures.<\/p>\n

Our objective is to start this study from its origin, explaining the fundamentals, where does it come from, how to develop it and apply it<\/strong>, so in this way you’ll have every element necessary to explore it.<\/p>\n

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For more information, email the author at:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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