{"id":2513,"date":"2020-07-20T01:48:40","date_gmt":"2020-07-20T04:48:40","guid":{"rendered":"http:\/\/serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=2513"},"modified":"2026-04-30T12:47:30","modified_gmt":"2026-04-30T15:47:30","slug":"bass-melodic-minor-scale-routine-practice-exercises-of-improvisation","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/bass-melodic-minor-scale-routine-practice-exercises-of-improvisation\/","title":{"rendered":"BASS \/ Melodic Minor Scale\u00a0(Routine Practice & Exercises of Improvisation)"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student
\nas well as for the teacher in class<\/strong><\/p>\n

\n

Complete development of\u00a0Exercise 7<\/strong>\u00a0of the book:\u00a0Scales and Arpeggios.<\/strong>\u00a0(Author: Nestor Crespo)<\/em><\/p>\n

\n

OBJECTIVES AND PURPOSES
\n<\/strong>
\nThe purpose of this book is the\u00a0intensive study of the Melodic Minor Scale<\/strong> which is of\u00a0significant importance in our journey with music.<\/strong><\/p>\n

Normally we\u00a0focus<\/strong>\u00a0on the study of this or any scale by\u00a0memorizing<\/strong>\u00a0only the\u00a0different shapes up and down<\/strong>, but this way of studying is insufficient when we want to improvise or appreciate the color or texture it produces.<\/p>\n

That is why we are going to devote ourselves to develop the study of the\u00a07 shapes<\/strong>\u00a0through exercises in a practical and dynamic way including the corresponding\u00a0fingerings and bar repetition<\/strong>\u00a0in each case.<\/p>\n

\n

METHODOLOGY
\n<\/strong>
\nIncludes\u00a024 exercises\u00a0<\/strong>with full fingering, repetition bars and practice tracks<\/p>\n

* Diatonic Order \u2013 Up and Down<\/strong>\u00a0( a \u2013 b )<\/em><\/p>\n

* Patterns 1 y 2<\/strong><\/p>\n

* Thirds<\/strong>\u00a0( a \u2013 b \u2013 c \u2013 d )<\/em><\/p>\n

* Fourths<\/strong>\u00a0( a \u2013 b \u2013 c \u2013 d )<\/em><\/p>\n

* Sixths\u00a0<\/strong>( a \u2013 b \u2013 c \u2013 d )<\/em><\/p>\n

*\u00a0Triads<\/strong>\u00a0( a \u2013 b \u2013 c \u2013 d )<\/em><\/p>\n

\n

BACKING TRACKS
\n<\/strong>
\nIt also includes\u00a010 Backing Tracks<\/strong>\u00a0corresponding to the exercise in a\u00a0modal playing<\/strong>\u00a0as well as,\u00a0 different\u00a0progressions<\/strong>\u00a0which will be very\u00a0useful to practice and affirm this concept.
\n<\/strong>
\n* 6 Modal backing tracks in Cm\/maj7 & Gm\/maj7\u00a0<\/strong> (with strings and different musical styles)<\/em><\/p>\n

* 2\u00a0Modal Backing Tracks<\/strong>\u00a0(with chord progressions)<\/em><\/p>\n

* 2 Backing Tracks\u00a0with Cycle of 5th<\/strong>\u00a0\u00a0(in different musical styles)<\/em><\/p>\n

\n

For more information please contact to the author:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

\n

Related Books<\/strong><\/h2>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"