{"id":1657,"date":"2020-01-25T00:58:46","date_gmt":"2020-01-25T03:58:46","guid":{"rendered":"http:\/\/serie20y20.com.ar\/nestor-crespo\/?post_type=product&p=1657"},"modified":"2026-04-30T12:47:01","modified_gmt":"2026-04-30T15:47:01","slug":"guitar-spread-triads-2","status":"publish","type":"product","link":"https:\/\/www.serie20y20.com.ar\/nestor-crespo\/en\/product\/guitar-spread-triads-2\/","title":{"rendered":"GUITAR \/ Spread Triads 2"},"content":{"rendered":"

Practical and dynamic work methodology for the self-taught student
\nas well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

You are buying\u00a0(PDF whit 114 pages \u2013 227MB)\u00a0<\/strong>which contains:<\/p>\n

\u00a0 \u00a0 \u00a0 * 48 Progressions<\/strong> (major mode)<\/em> 40 Progressions<\/strong> (minor mode)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 * 8 Assignments<\/strong> (Jazz standards)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 * 104 Audios & Backing Tracks<\/strong> (Essential complement for the complete study of the developed concepts)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 * 6 Audios<\/strong> (Right Hand Fingering Patterns)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 * Appendix Triads<\/strong> (sus2 – sus4 – Phrygian – Lydian)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 * Printable Book<\/strong> (without watermark)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

The closed triads is often used as a tool<\/strong> when we perform a musical arrangement, however, many instrumentalists and composers use the triads openly<\/strong>, thus achieving a greater expressive weight.<\/p>\n

The open triads are obtained by ascending or descending an octave the internal voice<\/strong> of a triad in closed position,<\/strong> either in root position or inverted<\/strong>.<\/p>\n

Practicing the different exercises, progressions and assignments<\/strong>, we will achieve a conscious and dynamic handling of the different fingerings and sonorities produced.<\/p>\n

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CONTENTS<\/strong><\/p>\n

We will use four types of open triads: Major – Minor – Diminished and Augmented,<\/strong> both in fundamental position and in first and second inversion<\/strong> in string sets: 6 4 2 \/ 5 3 2 \/ 5 3 1 \/ 4 2 1<\/strong><\/p>\n

The different strings sets are organized starting from the study of the fingerings of each type of triad, previously mentioned, in position and across the guitar neck.<\/strong><\/p>\n

We will practice with 44 progressions in the major mode and 40 in the minor mode<\/strong> using concepts of functional harmony: diatonic chords, secondary dominants, substitutes and modal interchange chords.<\/strong><\/p>\n

It also includes the harmonization of the Major Scale, the Composite Minor Scale, the Circle of fifths and the third diatonic.<\/strong><\/p>\n

The 8 assignments<\/strong> include the jazz standard in 4\/4 – 3\/4 and ballads.<\/p>\n

We will practice the open triads as a chord as well as six different rhythm patterns for the right hand.<\/strong><\/p>\n

Also included are the shapes of the following open triads: Sus2 – Sus4 – Lydian & Phrygian.<\/strong><\/p>\n

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AUDIOS<\/strong><\/p>\n

The 104 audios<\/strong> included are a necessary complement for the correct study of this Ebook.<\/p>\n

\u00a0 \u00a0 \u00a0* 88 exercises<\/strong> (with string quartet)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0* 12 backing tracks<\/strong> (with string quartet and also only with melody and double bass)<\/em><\/p>\n

\u00a0 \u00a0 \u00a0* 6 Audios<\/strong> (Right Hand Fingering Patterns)<\/em><\/p>\n

Audios with string quartet<\/strong> will allow us to take a real dimension of the sound amplitud<\/strong>e produced through the use of spread triads<\/strong> and enjoy when practicing the different exercises and assignments.<\/strong><\/p>\n

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For more information please contact to the author:\u00a0nestor.crespo@usa.net<\/a><\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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